Good Times Bad Times: Difference between revisions
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|length = 2 minutes 43 seconds | |length = 2 minutes 43 seconds | ||
|composer = [[Jimmy Page]], [[John Paul Jones (musician)|John Paul Jones]], [[John Bonham]] | |composer = [[Jimmy Page]], [[John Paul Jones (musician)|John Paul Jones]], [[John Bonham]] | ||
|label = Atlantic Records | |label = [[Atlantic Records]] | ||
|producer = Jimmy Page | |producer = Jimmy Page | ||
|engineer = Glyn Johns | |engineer = Glyn Johns | ||
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For the lead guitar solo, [[guitar]]ist [[Jimmy Page]] passed his [[Telecaster]] guitar through a [[Leslie speaker]] to create a swirling effect.<ref>Dave Lewis (1994), ''The Complete Guide to the Music of Led Zeppelin'', Omnibus Press, ISBN 0-7119-3528-9</ref><ref>Steven Rosen, [http://www.modernguitars.com/archives/003340.html 1977 Jimmy Page Interview], ''Modern Guitars'', 25 May, 2007 (originally published in the July 1977, issue of ''[[Guitar Player]]'' magazine).</ref> This type of [[loudspeaker|speaker]] contains a rotating [[paddle]] and was designed for [[Hammond organ]]. However, guitars could be used with it. In an interview he gave to ''[[Guitar World]]'' magazine in 1993, Page explained that: | For the lead guitar solo, [[guitar]]ist [[Jimmy Page]] passed his [[Telecaster]] guitar through a [[Leslie speaker]] to create a swirling effect.<ref>Dave Lewis (1994), ''The Complete Guide to the Music of Led Zeppelin'', Omnibus Press, ISBN 0-7119-3528-9</ref><ref>Steven Rosen, [http://www.modernguitars.com/archives/003340.html 1977 Jimmy Page Interview], ''Modern Guitars'', 25 May, 2007 (originally published in the July 1977, issue of ''[[Guitar Player]]'' magazine).</ref> This type of [[loudspeaker|speaker]] contains a rotating [[paddle]] and was designed for [[Hammond organ]]. However, guitars could be used with it. In an interview he gave to ''[[Guitar World]]'' magazine in 1993, Page explained that: | ||
{{cquote|I do remember using the board to overdrive a Leslie cabinet for the main riff in "How Many More Times". It doesn't sound like a Leslie because I wasn't employing the rotating speakers. Surprisingly, that sound has real weight. The guitar is going through the board, then through an amp which was driving the Leslie cabinet. It was a very successful experiment.<ref> | {{cquote|I do remember using the board to overdrive a Leslie cabinet for the main riff in "How Many More Times". It doesn't sound like a Leslie because I wasn't employing the rotating speakers. Surprisingly, that sound has real weight. The guitar is going through the board, then through an amp which was driving the Leslie cabinet. It was a very successful experiment.<ref>{{cite journal|last=Tolinski|first=Brad|coauthors=Greg DiBenedetto|date=May 1993|title=Inside the studio with Jimmy Page|url=http://www.skeptictank.org/files/en004/lza93pag.htm|journal=Guitar World|publisher=Harris Publications|volume=14|issue=5|issn=1063-4231}}</ref>}} | ||
Page, also the band's [[Record producer|producer]], placed [[microphone]]s all over the recording [[studio]] to capture a live sound when this song was recorded. | Page, also the band's [[Record producer|producer]], placed [[microphone]]s all over the recording [[studio]] to capture a live sound when this song was recorded. | ||
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This song is also notable for [[drummer]] [[John Bonham]]'s repeated use of a series of two sixteenth-note triplets on a single [[bass drum]], an effect many subsequent rock drummers have imitated. Bonham had reportedly developed this technique after listening to [[Vanilla Fudge]]. He was unaware that drummer [[Carmine Appice]] was actually playing on a double bass set. As Page has stated: | This song is also notable for [[drummer]] [[John Bonham]]'s repeated use of a series of two sixteenth-note triplets on a single [[bass drum]], an effect many subsequent rock drummers have imitated. Bonham had reportedly developed this technique after listening to [[Vanilla Fudge]]. He was unaware that drummer [[Carmine Appice]] was actually playing on a double bass set. As Page has stated: | ||
{{cquote|The most stunning thing about the track, of course, is Bonzo's amazing kick drum. It's superhuman when you realize he was not playing with double kick. That's one kick drum! That's when people started understanding what he was all about.<ref> | {{cquote|The most stunning thing about the track, of course, is Bonzo's amazing kick drum. It's superhuman when you realize he was not playing with double kick. That's one kick drum! That's when people started understanding what he was all about.<ref>{{cite journal|last=Tolinski|first=Brad|coauthors=Greg DiBenedetto|date=May 1993|title=Inside the studio with Jimmy Page|url=http://www.skeptictank.org/files/en004/lza93pag.htm|journal=Guitar World|publisher=Harris Publications|volume=14|issue=5|issn=1063-4231}}</ref>}} | ||
[[Bass Guitar|Bass]] player [[John Paul Jones (musician)|John Paul Jones]] has also remarked on his own contribution to the track: | [[Bass Guitar|Bass]] player [[John Paul Jones (musician)|John Paul Jones]] has also remarked on his own contribution to the track: | ||
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{{cquote|Usually anything [by Led Zeppelin] with lots of notes was mine and anything with chunky chords was Page's. Things like "Good Times Bad Times", those are my sort of riffs, they're quite busy'.<ref>{{cite journal |last=Long |first=Andy |title=Get the Led Out |journal=Global Bass Online |month=March | year=2002 |url=http://www.globalbass.com/archives/mar2002/john_paul_jones.htm |accessdate=2008-03-17 }}</ref>}} | {{cquote|Usually anything [by Led Zeppelin] with lots of notes was mine and anything with chunky chords was Page's. Things like "Good Times Bad Times", those are my sort of riffs, they're quite busy'.<ref>{{cite journal |last=Long |first=Andy |title=Get the Led Out |journal=Global Bass Online |month=March | year=2002 |url=http://www.globalbass.com/archives/mar2002/john_paul_jones.htm |accessdate=2008-03-17 }}</ref>}} | ||
Jones says that the riff he wrote for this song was the most difficult one he ever wrote.<ref> | Jones says that the riff he wrote for this song was the most difficult one he ever wrote.<ref>{{cite journal|last=Fricke|first=David|date=9 January 2008|title=Q&A: John Paul Jones of Led Zeppelin|url=http://forums.ledzeppelin.com/index.php?/topic/3017-qa-john-paul-jones/|journal=Rolling Stone|publisher=Jann Wenner|issn=0035-791X}}</ref> | ||
==Live performances== | ==Live performances== | ||
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|} | |} | ||
{| class="wikitable" | ==Credits== | ||
{|class="wikitable" | |||
|colspan="2" style="background:#ccffcc"|<center>'''Personnel'''</center> | |colspan="2" style="background:#ccffcc"|<center>'''Personnel'''</center> | ||
|- | |- | ||
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|} | |} | ||
== | ==References== | ||
{{reflist|2}} | {{reflist|2}} | ||
Revision as of 23:09, 4 March 2014
| Good Times Bad Times | |
|---|---|
 1969 Italian single | |
| Appears on | Led Zeppelin |
| Published by | Superhype Music |
| Registration | ASCAP 370093944 |
| Release date | 10 March 1969 |
| Recorded | October 1968 at Olympic Studios, London. Mixed at Olympic Studios, London. |
| Genre | Hard rock, Rock |
| Language | English |
| Length | 2 minutes 43 seconds |
| Composer | Jimmy Page, John Paul Jones, John Bonham |
| Label | Atlantic Records |
| Producer | Jimmy Page |
| Engineer | Glyn Johns |
'Good Times Bad Times' is a song by English rock band Led Zeppelin, featured as the opening track on their 1969 debut album Led Zeppelin.
Overview
For the lead guitar solo, guitarist Jimmy Page passed his Telecaster guitar through a Leslie speaker to create a swirling effect.[1][2] This type of speaker contains a rotating paddle and was designed for Hammond organ. However, guitars could be used with it. In an interview he gave to Guitar World magazine in 1993, Page explained that:
| “ | I do remember using the board to overdrive a Leslie cabinet for the main riff in "How Many More Times". It doesn't sound like a Leslie because I wasn't employing the rotating speakers. Surprisingly, that sound has real weight. The guitar is going through the board, then through an amp which was driving the Leslie cabinet. It was a very successful experiment.[3] | ” |
Page, also the band's producer, placed microphones all over the recording studio to capture a live sound when this song was recorded.
This song is also notable for drummer John Bonham's repeated use of a series of two sixteenth-note triplets on a single bass drum, an effect many subsequent rock drummers have imitated. Bonham had reportedly developed this technique after listening to Vanilla Fudge. He was unaware that drummer Carmine Appice was actually playing on a double bass set. As Page has stated:
| “ | The most stunning thing about the track, of course, is Bonzo's amazing kick drum. It's superhuman when you realize he was not playing with double kick. That's one kick drum! That's when people started understanding what he was all about.[4] | ” |
Bass player John Paul Jones has also remarked on his own contribution to the track:
| “ | Usually anything [by Led Zeppelin] with lots of notes was mine and anything with chunky chords was Page's. Things like "Good Times Bad Times", those are my sort of riffs, they're quite busy'.[5] | ” |
Jones says that the riff he wrote for this song was the most difficult one he ever wrote.[6]
Live performances
"Good Times Bad Times" was rarely played live at Led Zeppelin concerts in its entirety. In a few instances in 1969 it was used as an introduction to "Communication Breakdown". It also appeared in almost complete form within the "Communication Breakdown" medley performed at the LA Forum on 4 September 1970 (as can be heard on the Led Zeppelin bootleg recording Live On Blueberry Hill), and several "Whole Lotta Love' medleys in 1971. It was also the opening song for Led Zeppelin's reunion show at the O2 Arena, London on 10 December 2007.
Accolades
| Publication | Country | Accolade | Year | Rank |
|---|---|---|---|---|
| Blender | United States | "The 1001 Greatest Songs to Download Right Now!"[7] | 2003 | * |
| DigitalDreamDoor | United States | "The 100 Greatest Rock Debut Singles"[8] | 2005 | 73 |
| DigitalDreamDoor | United States | "The 100 Greatest Recordings From 1969"[9] | 2007 | 56 |
(*) designates unordered lists.
Chart positions
Led Zeppelin Single
| Chart (1969) | Peak position |
|---|---|
| Canadian RPM Top 100 Chart[10] | 64 |
| US Billboard Hot 100 Singles Chart[11] | 80 |
| US Cash Box Top 100 Singles Chart[12] | 66 |
| US Record World 100 Top Pops[13] | 65 |
| Japanese Singles Chart[14] | 84 |
| Dutch Singles Chart[15] | 17 |
Credits
| |
References
- ↑ Dave Lewis (1994), The Complete Guide to the Music of Led Zeppelin, Omnibus Press, ISBN 0-7119-3528-9
- ↑ Steven Rosen, 1977 Jimmy Page Interview, Modern Guitars, 25 May, 2007 (originally published in the July 1977, issue of Guitar Player magazine).
- ↑ Tolinski, Brad; Greg DiBenedetto (May 1993). "Inside the studio with Jimmy Page". Guitar World 14 (5). ISSN 1063-4231.
- ↑ Tolinski, Brad; Greg DiBenedetto (May 1993). "Inside the studio with Jimmy Page". Guitar World 14 (5). ISSN 1063-4231.
- ↑ Long, Andy (March 2002). "Get the Led Out". Global Bass Online. Retrieved on 2008-03-17.
- ↑ Fricke, David (9 January 2008). "Q&A: John Paul Jones of Led Zeppelin". Rolling Stone. ISSN 0035-791X.
- ↑ The 1001 Greatest Songs to Download Right Now! - 2003. Blender. Retrieved on 2009-02-10.
- ↑ The 100 Greatest Rock Debut Singles - 2005. DigitalDreamDoor. Retrieved on 2009-02-10.
- ↑ The 100 Greatest Recordings From 1969 - 2007. DigitalDreamDoor. Retrieved on 2009-02-10.
- ↑ RPM Singles Chart - 14 April 1969. RPM. Retrieved on 2009-01-19.
- ↑ Hot 100 Singles - 19 April 1969. Billboard. Retrieved on 2009-01-19.
- ↑ Top 100 Singles - 26 April 1969. Cash Box. Retrieved on 2009-01-19.
- ↑ Top 100 for 1969 - April 1969. Record World. Retrieved on 2009-01-19.
- ↑ Top 100 Singles - 5 June 1969. Oricon. Retrieved on 2009-01-19.
- ↑ Top 100 Singles - 21 June 1969. dutchcharts.nl. Retrieved on 2009-01-19.