Albrecht Dürer/Works: Difference between revisions
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imported>Aleksander Stos m (typo) |
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|''Mary as Mater Dolorosa''||1496-1498||Unknown | |''Mary as Mater Dolorosa''||1496-1498||Unknown | ||
|- | |- | ||
|''Oswolt Krel Portrait Triptych''||Unknown|| | |''Oswolt Krel Portrait Triptych''||Unknown||Nuremberg | ||
|- | |- | ||
|''Self-Portrait with Fur-Trimmed Robe''||1500|| | |''Self-Portrait with Fur-Trimmed Robe''||1500||Nuremberg | ||
|- | |- | ||
|''Portrait of a Young Man''||1500|| | |''Portrait of a Young Man''||1500||Nuremberg | ||
|- | |- | ||
|''Lamentation of Christ''||1500||Predigerkirche, | |''Lamentation of Christ''||1500||Predigerkirche, Nuremberg | ||
|- | |- | ||
|''Paumgartner Altar''||1504||St. Catherine's Church, | |''Paumgartner Altar''||1504||St. Catherine's Church, Nuremberg | ||
|- | |- | ||
|''Virgin of the Carnation''||1516||Kammergalerie of Maximilian I | |''Virgin of the Carnation''||1516||Kammergalerie of Maximilian I | ||
Line 25: | Line 25: | ||
|''The Death of Lucretia''||1518||doc. in Ducal Chamber of Art, 1598 | |''The Death of Lucretia''||1518||doc. in Ducal Chamber of Art, 1598 | ||
|- | |- | ||
|''The Four Apostles''||1526||City Hall, | |''The Four Apostles''||1526||City Hall, Nuremberg | ||
|} | |} | ||
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!Original Location | !Original Location | ||
|- | |- | ||
| | |''Lamentation for the Dead Christ''||1495-1500||Nuremberg | ||
|- | |- | ||
| | |''Crucifixion''||1495-1500||Nuremberg | ||
|- | |- | ||
| | |''Martyrdom of St. Sebastian''||1495-1500||Nuremberg | ||
|- | |- | ||
| | |''St. Christopher''||1495||Nuremberg | ||
|- | |- | ||
| | |''The Syphilitic''||1495-1500||Nuremberg | ||
|- | |- | ||
| | |''Head for the Purpose of the Study of Phrenology''||1498||Nuremberg | ||
|- | |- | ||
| | |''The Albertina Passion''||1500||Nuremberg | ||
|- | |- | ||
| | |''The Martyrdom of the Ten Thousand Christians''||1496||Nuremberg | ||
|- | |- | ||
| | |''Hercules''||1496||Nuremberg | ||
|- | |- | ||
| | |''The Knight and the Landsknecht''||1497||Nuremberg | ||
|- | |- | ||
| | |''The Men's Bath''||1496||Nuremberg | ||
|- | |- | ||
| | |''The Martyrdom of St Catherine''||1498||Nuremberg | ||
|- | |- | ||
| | |''Samson Killing the Lion''||1498||Nuremberg | ||
|- | |- | ||
| | |''The Holy Family with Three Hares''||1498||Nuremberg | ||
|- | |- | ||
| | |''The Revelation of St. John (Apocalypse)''||1496-1498||Nuremberg | ||
|- | |- | ||
| | |''The Great Passion'' (seven woodcuts)||1497-1500||Nuremberg | ||
|} | |} | ||
{{Reflist}} | {{Reflist}} |
Latest revision as of 04:20, 10 January 2008
Paintings[1]
Title | Year | Original Location |
---|---|---|
Mary as Mater Dolorosa | 1496-1498 | Unknown |
Oswolt Krel Portrait Triptych | Unknown | Nuremberg |
Self-Portrait with Fur-Trimmed Robe | 1500 | Nuremberg |
Portrait of a Young Man | 1500 | Nuremberg |
Lamentation of Christ | 1500 | Predigerkirche, Nuremberg |
Paumgartner Altar | 1504 | St. Catherine's Church, Nuremberg |
Virgin of the Carnation | 1516 | Kammergalerie of Maximilian I |
The Death of Lucretia | 1518 | doc. in Ducal Chamber of Art, 1598 |
The Four Apostles | 1526 | City Hall, Nuremberg |
Engravings
Title | Approximate Year Created | Original Location |
---|---|---|
Lamentation for the Dead Christ | 1495-1500 | Nuremberg |
Crucifixion | 1495-1500 | Nuremberg |
Martyrdom of St. Sebastian | 1495-1500 | Nuremberg |
St. Christopher | 1495 | Nuremberg |
The Syphilitic | 1495-1500 | Nuremberg |
Head for the Purpose of the Study of Phrenology | 1498 | Nuremberg |
The Albertina Passion | 1500 | Nuremberg |
The Martyrdom of the Ten Thousand Christians | 1496 | Nuremberg |
Hercules | 1496 | Nuremberg |
The Knight and the Landsknecht | 1497 | Nuremberg |
The Men's Bath | 1496 | Nuremberg |
The Martyrdom of St Catherine | 1498 | Nuremberg |
Samson Killing the Lion | 1498 | Nuremberg |
The Holy Family with Three Hares | 1498 | Nuremberg |
The Revelation of St. John (Apocalypse) | 1496-1498 | Nuremberg |
The Great Passion (seven woodcuts) | 1497-1500 | Nuremberg |
- ↑ Alte Pinakothek Munich, 1986. Lipp Edition. Bayerische Staatsgemäldesammlungen, Munich. Explanatatory notes on the works exhibited