Ukiyo-e: Difference between revisions
imported>Howard C. Berkowitz (New page: {{TOC|right}} '''Ukiyo-e''' is a form of Japanese visual art, both with its own intrinsic beauty, but also reflecting social systems of the Tokugawa or Edo Periods (1615-1868). It also ext...) |
imported>Howard C. Berkowitz No edit summary |
||
| Line 1: | Line 1: | ||
{{subpages}} | |||
{{TOC|right}} | {{TOC|right}} | ||
'''Ukiyo-e''' is a form of Japanese visual art, both with its own intrinsic beauty, but also reflecting social systems of the Tokugawa or Edo Periods (1615-1868). It also extended artistic technique, including the printing of art books to make it more accessible to the wealthy, but socially inferior, merchant class. <ref name=LC>{{citation | '''Ukiyo-e''' is a form of Japanese visual art, both with its own intrinsic beauty, but also reflecting social systems of the Tokugawa or Edo Periods (1615-1868). It also extended artistic technique, including the printing of art books to make it more accessible to the wealthy, but socially inferior, merchant class. <ref name=LC>{{citation | ||
| Line 6: | Line 7: | ||
[[Image:Courtesan painting a screen.jpg|left|300px|Courtesan painting a screen, Torii Kiyonobu I, ca. 1711]] | [[Image:Courtesan painting a screen.jpg|left|300px|Courtesan painting a screen, Torii Kiyonobu I, ca. 1711]] | ||
Literally, ''ukiyo-e'' means pictures of the Floating World, which included both [[geisha]] and respected [[courtesan]]s, two quite distinct classes. It was a world of socially acceptable hedonism. | Literally, ''ukiyo-e'' means pictures of the Floating World, which included both [[geisha]] and respected [[courtesan]]s, two quite distinct classes. It was a world of socially acceptable hedonism. | ||
==Technique== | ==Technique== | ||
The fundamental technique of the genre was the woodblock. Producing a book of woodblock prints involved the complementary skills of a publisher, an artist who created the image, a carver who made the block, and a printer who applied the pigments and pressed the block to to paper. | The fundamental technique of the genre was the woodblock. Producing a book of woodblock prints involved the complementary skills of a publisher, an artist who created the image, a carver who made the block, and a printer who applied the pigments and pressed the block to to paper. | ||
Revision as of 23:46, 26 December 2009
Ukiyo-e is a form of Japanese visual art, both with its own intrinsic beauty, but also reflecting social systems of the Tokugawa or Edo Periods (1615-1868). It also extended artistic technique, including the printing of art books to make it more accessible to the wealthy, but socially inferior, merchant class. [1]
Literally, ukiyo-e means pictures of the Floating World, which included both geisha and respected courtesans, two quite distinct classes. It was a world of socially acceptable hedonism.
Technique
The fundamental technique of the genre was the woodblock. Producing a book of woodblock prints involved the complementary skills of a publisher, an artist who created the image, a carver who made the block, and a printer who applied the pigments and pressed the block to to paper.
This technique evolved from approximately 1600 on. The first prints were monochromatic woodcuts, with the design laid out in bold black lines. Artists began hand-coloring by brush, and worked with textured surfaces.
Multicolor printing came into use the mid-eighteenth century. Erotic works and images of actors and beautiful women were common subjects in early Ukiyo-e. Also popular were themes from Japanese myth, legend, literature, and history.
Expansion of subjects
Subjects, but using the same techniques, began to expand beyond the Floating World, with some of the best-know artists:
- [[Kitagawa Utamaro (1753-1806)
- Katsushika Hokusai (1760-1849), known for his landscapes.
In the twentieth century, a new Japanese movement revived ukiyo-e, merging modern methods. The example shows a nude, more a classically Western subject.
