Gertrude Stein

Authors [about]: Pat Palmer and others. CZ is an open collaboration. Please join in to develop this article!

See also: Talk:Gertrude_Stein#Goals of this article

Part of Picasso's famous 1905-06 portrait of Gertrude Stein

Gertrude Stein (1874 - 1946) was an American author who lived in Paris, France, and is best remembered for hob-nobbing with several famous writers and artists while living in Paris, and for creating deliberate linguistic conundrums.

Most famous work

Stein's most famous work was a best seller published in 1933, The Autobiography of Alice B. Toklas, and it shows early traces of the kind of confounding language that has caused Gertrude Stein to be remembered nearly a century later.

Least famous work

Stein's least famous work was published posthumously in 1947 and was entitled Four in America. As of 2020, Four in America is out of print, has never been digitized, and is likely to be found in only two or three libraries in the United States. Even used copies via the internet are difficult to come by. The book consisted of four sections, purporting to be about “Wilbur Wright”, "Grant", “Henry James” and “George Washington”.

A widely mangled, misused internet quote

Four in America is now noteworthy because a single sentence of it has been widely misquoted and misinterpreted multiple times on the internet, all without any reference to its actual source. Internet quotes claim that Stein said she "admired Ulysses S. Grant". Others claim that Stein said she could not “think of Grant without weeping”. The actual sentence Stein wrote is to be found in the quarter of Four in America allegedly about Grant, on its last page, and the sentence reads: “I cannot think of Ulysses Simpson Grant without tears.” But do not be deceived; this sentence perches atop one of the most abstruse, dense, and discouraging paragraphs ever written in the English language:

Jo Davidson's life-size terra cotta sculpture of Gertrude Stein created in Paris in 1923, now in the Smithsonian National Portrait Gallery. A bronze cast of this sculture was made in 1991 for Bryant Park, Manhattan, New York City. Stein promoted the art of Picasso and Matisse. "There was an eternal quality about her," sculptor Jo Davidson wrote. "She somehow symbolized wisdom." He depicted her here as "a sort of modern Buddha."

I cannot think of Ulysses Simpson Grant without tears. He was so what shall it be not by any night not by any day not by any light not by any way, but Ulysses Simpson Grant, which one is, that one is, who can come that one can come, for which they come not of for which they come but they can in that case but which they can in that case can place, I place him there. Do you too. Do you two place him there which do you do. I do I place him there. I which I place him there, not only for me to be me, I am an American which if which I can be only I know, I know all about sitting and standing but I do not sit and stand in the way not yet nor has been. From Four in America, page 81, by Gertrude Stein (1947).

To make any sense of the paragraph quoted above, it is helpful to resort to Four in America's 26-page introduction by Thornton Wilder, in which Wilder elucidates a theory about Stein’s mangled, rebellious and challenging use of language. Per Wilder, Stein believed that we are now living in “end times” where language has become superficial in effect, and normal use of language does not reach the real person inside each of us. Thus (surmises Wilder), Stein tried a variety of unorthodox mechanisms to cut through our mental fog, to make us sit up and think differently, to jar us out of complacency, to challenge what we really know. Possibly, to want to read this book, wrote Wilder, requires a kind spiritual readiness.

Besides the realization that anyone claiming truly to know what Gertrude Stein thought of Grant would be stretching the truth substantially, readers can benefit bi innoculating themselves against quotes thrown around glibly on the internet without an actual reference to the specific source.