File:The correlation between the tides and the bottom designs.png: Difference between revisions
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{{Image notes | == Summary == | ||
|Description=A simple illustration explaining the reason behind the difference in the ship bottom designs between the Koreans, and the Chinese and the Japanese - since Korea's coasts were flat, the tides retreated and advanced at a faster speed and at a wider distance in Korea than in China and Japan; thus, Korean ships had flat bottoms that could rest on sand while the Japanese and the Chinese ships had "V"-shaped bottoms with faster speed. This image is used in the [[Japanese invasions of Korea (1592-1598)]] article. | {{Image notes | ||
| | |Description= A simple illustration explaining the reason behind the difference in the ship bottom designs between the Koreans, and the Chinese and the Japanese - since Korea's coasts were flat, the tides retreated and advanced at a faster speed and at a wider distance in Korea than in China and Japan; thus, Korean ships had flat bottoms that could rest on sand while the Japanese and the Chinese ships had "V"-shaped bottoms with faster speed. This image is used in the [[Japanese invasions of Korea (1592-1598)]] article. | ||
| | |Author= Chunbum Park | ||
|Notes=Based on the information, here: http://koreanship.culturecontent.com/structure.asp | |Date= 2007-12-24 | ||
|Source= N/A | |||
|Country first published in= N/A | |||
|Copyright holder= N/A | |||
|Notes= Based on the information, here: http://koreanship.culturecontent.com/structure.asp | |||
|Other versions=}} | |Other versions=}} | ||
== Licensing/Copyright status == | == Licensing/Copyright status == | ||
{{PD-self}} | {{PD-self}} | ||
Revision as of 10:24, 26 December 2007
Summary
Licensing/Copyright status
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This work, The correlation between the tides and the bottom designs.png, is hereby released into the Public Domain. To view a copy of the public domain dedication, visit http://creativecommons.org/licenses/publicdomain/. |
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In the event such a release is not possible, the author has stipulated that his/her Work may, in perpetuity, and without attribution, be freely reproduced, distributed, transmitted, used, modified, built upon, or otherwise exploited by anyone for any purpose, commercial or non-commercial, and in any way, including by methods that have not yet been invented or conceived. |
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